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Photo Tutorial — Splash High Speed Photography

Published by Diana Tula · February 27th 2013

There are many fun photos of commercially inspired splash images on 500px and we wanted to share the secrets behind this technique with you. Patric Bergkvist was generous to volunteer and talk about his personal experience with splash photography. In this article Patric reveals the step-by-step process behind “Coffee with milk” photo giving away his home studio tricks.


Initially I was planning to shoot in the pool outside, but it was taken up by the kids. So I had to wait, reconsider that idea and instead settle for shooting indoors using an inflatable pool. My place is not very big so I had limited space to work with. I am usually assisted by my girlfriend when shooting splash images and after some time she bought me a wireless remote shutter release (Phottix Aion) as an early birthday present. I guess she was not too fond of standing and splashing different types of fluids anymore.


At first I needed to gather all the equipment in order to setup. Here is a list of all equipment used:
  • 1 glass (attached or glued to a tripod mount)
  • Liquids: Milk or milk-like substance, water and coffee
  • Inflatable pool and plastic covers (to protect your home from stains and pool to gather all the splashed water)
  • Duct tape or painters tape to seal all the covers together
  • Camera
  • Tripod and tripod mount
  • Remote control for the strobes
  • Soft-box with strobes on tripod with soft-box grid. Grid is useful to direct the light for narrowing down and spotlighting. You can DIY a grid for under $10
  • Flash on a tripod, used to light the subject from the other side
  • Backdrop. You can use just a plain wall or cover the wall with large sheets of bristol paper (experimenting with plain white or colour paper)
  • Flash gels (to change the background colour)


Once I gathered all the equipment I started to redecorate the hall, inflated the pool, took out tape and plastic sheeting and taped it up to the wall. Then I took superglue, a bolt and an empty wine glass. I glued it all together so that the wine glass could be mounted to a tripod. Here are some pictures of the setup as a whole, I was in a hurry to start photographing the product so I did not take as many behind the scenes photos as I wanted.

I placed a tripod in the middle of the pool and bolted the wineglass onto the tripod — now tripod served as the stand for the wineglass. Next I started setting up the flashes (one external flash on a tripod and one with a softbox and a grid). Then I taped up the background with backdrop paper. Turned on the remote switch for the the camera and took out my iPad. I bought an Eye-fi card to send JPEG images to the iPad while I shoot, this way I don’t need to run back to camera to see if photos turned out OK, checking for brightness, sharpness, etc. The background paper that I taped-up was very wrinkled but that was the only paper available that was wide enough so I had to use it. To combat the wrinkles I decided to use the widest aperture possible to blur the background and hence smooth out the wrinkles (with a zoom lens zooming all the way in would achieve a similar affect). Going for wide aperture I had to balance it out since I wanted to avoid a shallow of a depth of field as I needed for the splashes to look and be sharp on camera. Hence I needed to run test shots to see which aperture worked best. Not wanting to waste liquids and get the place messy without a need, I used a box of sparklers as a point of sharpness measure (also it served as a great focusing point). So I put a pack of sparklers on top of the wine glass and ran some tests.

Test Shots For Aperture



As you can see above the background became blurred and the folds were less visible at aperture F/8, and there was sufficient clarity on the sparkler packaging.

Flash Setup

In the pictures above, I have a flash on the floor near the background with the flash head angled upward to get this fade-effect where it goes from lighter at the bottom to darker at the top, but did not think it was quite as I wanted it, so I took place, and put the flash on a tripod and set it so the flash ended up flush with the wine glass, and put it then from the side to get a circle behind the wine glass instead, and took some pictures and then adjust the position of the flash until the circle ended where I wanted it (Here facilitated the sick much to have the Eye-fi card that sends images to the iPad, as well as wireless remote shutter release).

Change Background Colour / Flash Gel

I knew I was done with flash testing once I got the spotlight affect with light, so I decided to move forward and fill up the glass with liquids and take more photos from there. My idea was to have a product shoot of coffee with milk, so I gathered the liquids needed. Filled up the empty glass with approximately 75% coffee and the rest with milk and got a nice brown (chocolate milk looking) colour. After I took a shot with the liquid it reminded me of photos that I’ve seen before and I wanted to add more interest to it. To solve this I decided to add colour to the background with photo gels. I picked up my little box of gels and looked up a purple color. I adjusted the photo gel mounting it to a flash, adjusted the grid to get the circle and took a photo. The results were these:

Handling Liquids

That day I brewed 30 cups of coffee, about 3 quarts and poured it into a bucket. I stood under the stairs (to the left of the camera view) and splashed coffee while with the other taking photos with remote switch. It took me about 5-10 exposures before it was the right time to splash coffee and shoot, so that the moment when the coffee hit the glass was synced with the time the shot was taken. When the coffee bucket was empty it was time to add the milk to the coffee photos. I went into the kitchen and filled that bucket with 1.5 liters of milk and mixed in about 1 liter of water. Once I had bucket full of milk mixture I went back and started splashing milk taking photos in a similar fashion. When the milk was finished, I scraped for the liquid mixture that was now in the inflatable pool and started splashing again. All images were sent from camera directly to the iPad so I had an eye on how the pictures turned out while I was doing all the splashing, taking brakes in between to review the photos. Here are the photos of my iPad and camera setup:


When everything was photographed, it was down to selecting three photos and merging them in Photoshop. I chose three photos: one with coffee, one with milk and one with coffee and milk mixture. Then I merged those three in a post-processing program. You can replicate the same in Photoshop or any other program using multiple layers, transparency and erasing all the parts that you think do not suit the final image. The idea is to make the final photo look as natural and real as possible.

Thank you for reading & thanks to Patric Bergkvist for sharing this tutorial! If you'd like more advice from Patric or to follow his future updates like his Facebook Page. For more tutorials visit "Paint with fire", previously featured post that will introduce you to Light Painting.

Do you have photos taken using this technique? Upload them to 500px and share links in the comments below, we'd love to see your results. If you have any questions or details that you’d like to know from Patric about this tutorial feel free to ask away.

Let’s share your skills and educate those new to photography. If you have a tutorial you’d like to share, be it in shooting, post production or tips for getting your work out there please get in touch, email


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Emil Edilersky  6 months ago
Good job! Thanks a lot!
Fathi Hawas  about 1 year ago
it'a amazing ! awesome shot and thanks for sharing
Anil Kumar  over 1 year ago
Thanks for sharing !!
Jean-Marc PAYET  over 1 year ago
superbe merci pour le partage
Matteo Alloni  over 1 year ago
Awesome Account
LeNomade B.  over 1 year ago
Thanks for sharing! It was very informative..I hope more photographers can share their experiences or at least show the camera settings for their shots (exposure, aperture, etc)
Swady  over 1 year ago
Amazing!! Thanks for sharing...
Ion Cebanu  over 1 year ago
how did you splash the liquid in the glass? the glass need to be static...
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Diana Tula  over 1 year ago
Hey Ion, The glass was static (it was glued to a bolt and then mounted onto a tripod). Patric had a bucket with liquid and then walked around, making splashes from different angles. As his camera was steady on a tripod and he held the remote photos were always taken facing the glass.

It is as though you have an assistant who can walk around and splash the glass from different directions while you are standing taking photos. In Patric's case he was his own assistant.

Hope this helps :)

Ion Cebanu  over 1 year ago
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Ion Cebanu  over 1 year ago
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Ion Cebanu  over 1 year ago
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Eve Voyevoda  over 1 year ago
Great tutorial. Thanks a lot! :) Did you clean the glass somehow between each shot?
Patric Bergkvist  over 1 year ago
Hello Eve! Thank you!
No i did not, i started by taking a shot with a clean glass if i would be need that in the post processing.
Mohamed Nabil  over 1 year ago
well done really
Helder Torres  over 1 year ago
Well done! Thanks for sharing.
Evgeny Averboukh  over 1 year ago
Amazing. Need a lot of patience for this ;)
Tejes Nayak  over 1 year ago
well, i get everything from the set up, my only question is how did you splash the liquid (coffee) I'll definitely try this with your suggestions but something confuses me regarding the position of the glass (if it is stationary how does one make a splash?)
Patric Bergkvist  over 1 year ago
Hi Tejes.

I did glue a bolt to the wineglass, and then i screw it on a lightstand.
The coffee did i threw from the left, and then i threw milk from the right and then the mix of coffee and milk from the left.

Dave Lee  over 1 year ago
intense... I look forward to doing this in the future :)
Esa Rosqvist  over 1 year ago
I used sour milk in my photos.

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Michael Babakov  over 1 year ago
Very nice! Thaks!
Daniel Walldorf  over 1 year ago
Great stuff! Do you somehow wirelessly sync your photos from the camera to your iPad or how do you do that?
Patric Bergkvist  over 1 year ago
Hi Daniel! I think they missed that in the translation. 500px did read my original post in Swedish and then they translated into this.

I Used Eye-fi card + Compactflash card in my camera. I sent raw files to my CF and Large JPEG to the Eye-fi witch sent the photos directly to the iPad

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