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I seek to explore the dynamics between non-organic and organic forms in ordinary settings. To that effect, my work seeks to simplify the elements within the frame to the lowest possible denominator, eliminating in as much as possible forms which are not conductive of the intention. If possible, the preference is to present seemingly mundane objects or situations in an unusual way, either from the effect of perspective, angle of view, incompleteness of presentation, unusual placement or temporal changes of state; with the intention of provoking engagement between the image and the spectator.