Frédéric works enormously with our "historical grammar" sorted by an affectionate, sometimes humorous look:
The connotations of his photos sometimes seem like amusing or poetic images as they are built on an analogy perturbed by the incidental, the gap, reminiscence, coincidence or the association of ideas, which presupposes a common base of references.
He intends to generate an image that produces a sustainable effect, the famous "punctum" beloved by Barthes, unconditional, for the sole magic of the photographer's pleasure�
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