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Another shot of Stanley Clarke from his July concert with Stewart Copeland in Paris, this time on double bass (the other one was Stanley Growls).

On this one I decided to embrace the shadows and accept that you cannot see half of his face, and I think it works as a high contrast process. I used XeL Black & White to finetune this one with a Foma Fomapan 200 emulation and a Grade 3 Contrast Paper emulation.

The end result is very contrasty, and some might not like that there are burned areas, but I think it works...

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