Working with a model as professional and striking-looking as Ulorin Vex was an experience.

The photographs shown in this series was from a sequence we did in the passage outside my hotel room. The lighting was surprisingly simple - a single speedlight bounced into a stairwell. (I had propped the door open with my camera bag.)

The flood of light from that single speedlight was just perfect.

See another image in this series:

for a description about the lighting setup:

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