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Rebeca  Saray

Rebeca Saray

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Affection

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Photographer, portrait lover, educator, digital artist and dreamer... From Spain with love If you can see more from my work, you can like my facebook page here: http://www.facebook.com/Rebecasaray www.rebecasaray.com www.rebecasarayworkshop.com

How to Mysterious night

Published August 4th, 2013

This work is made ​​in the last photography workshop by me in Barcelona

Here you have the process so you can see the change, the background photographs are from my personal stock, lately I hardly use stock than mine and I slowly have enough database to keep things that way .

In my last works all the stock is made by me, i´m really happy with this.

I had long wanted to edit this photo to saw well Alassie the fantastic work with your wardrobe, this corset is impressive, but clearly had nothing to do with the background, I have mentioned in the workshops always unexpectedly to be equal to the attendees, but the fact is that the ideal is to take the ideas ready before shooting but also have options to improvisation.

I hope you like it

and sorry for my bad english as always :(

And remember in my online store you have a lot of material as actions, videotutorial, etc.. and in my youtube channel where you have two free videotutorials, retouching eyes and hair cut in gray

(in spanish by ...

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How to "Kings and dragons"

Published July 15th, 2013

f you want to learn how to do work like this, in our shop you have the photomanipulation video tutorial, which shows the technique of cutting, setting, etc ... I leave the link below

http://www.rebecasarayshop.com

I hope you enjoy and as always comments are welcome,

Here I leave the explanation of this: D

 

This is a job today, took me about 4 hours counting organizing all this.

He was very clear about the items to get and thus is much easier to work. My recommendation is to put you before riding to work every part of the image is searched tengais all the elements necessary for its creation, we fog up brushes in this case I've used for mountain fortress.

This time I used both my photos as stock photos I bought on this website:

http://sp.depositphotos.com

 

(For those interested, I usually buy a month subscription when I need something specific, it is much cheaper on the web you have the rates)

The model is Jose, the photos will perform in Barcelona came to record me taking advantag ...

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How to "Never let me go"

Published July 15th, 2013

Here's the last retrofuturism work. I used the background I did also in portaventura, the idea is to look like a ship within larger. I have given more volume than usual in my in lights against to separate more background and also for his costume being black leather and practically the whole body be covered if we make it look light against should raise the potency. if we have skin becoming overexposed. In this case the histogram is all ok, but saved and limits.

I put down the outline and then a step by step how this image is created, in this case I don´t used reflector on it.

This have shadow areas marked and not get glazes.

Also mention to you if you want to learn how to do work like this, in our shop you have the photomanipulation videotutorial, which shows the technique of cutting, setting, etc ... I leave the link below

http://www.rebecasarayshop.com

I hope you like it and as always comments are welcome: D

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How to High voltage

Published July 14th, 2013

Duncan picture data

Camera PENTAX 645D

Focal length 55mm

Obturación1/125 speed sec

aperture f/13

ISO 200

BACKGROUND

Focal length 18mm

Obturación1/250 speed sec

aperture f/10

ISO 200

This work does not have much explanation, here I have set up the lighting scheme used in the photo of Duncan, three flashes bowens gemini 500, one of them to make the light from the side against a strip and a giraffe and square window did against the other light to illuminate but also top hat and give more volume.

The main light with a window I got pretty close to Duncan and fill the face shadows with a reflector to soften the shadows created by the hat and leather areas of the shell, thus save me touch on all the eyes and shadows

As background photo I made on June 6 last year at 11 in the morning

Also mention to you if you want to learn how to do work like this, in our shop you have the photomanipulation video tutorial, which shows the technique of cutting, setting, etc ... I leave the link below (bu ...

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How to "Searching the light in the shadows"

Published July 14th, 2013

I did the The photograph of the background in San Juan de la Mata, the day of San Juan, it's a piece of the huge bonfire (say it is the largest in Europe) These trunks were huge and I was struck by the space between them, the idea occurred to me while making that picture, could get a fairy or a forest in that hole, and today I gave birth to this idea born in the Midsummer.

Just remembered I had these photos of Priscilla I did in Barcelona and tried to see how it was, I liked the result and started to shape, I did not like it were day, no sense the idea of ​​playing with light in the darkness and decided to darken and give a general tone blue for night effect, so the spotlight would be on hand magic flower.

For lighting I used a giraffe with bowens gemini 500 with octagonal window to front light and thus make more overhead light and two windows with two bowens gemini 500 and I filled with a reflector below for the shadows not remain as sharp and smooth and light.

as always sorry for ...

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